AISHA isn't a general-purpose script coverage tool wearing a mascot. It's built to approximate one specific reader — the one behind Fresh Eyes — and the instincts they've sharpened over a long career reading, teaching, and selecting film.
01
Notes given one-on-one to emerging directors across a decade of directing labs and screenwriting workshops in Southeast Asia and beyond: the actual language used to flag a false beat, a character who hasn't earned a turn, a scene that's explaining instead of showing.
02
Seasons spent on documentary and fiction juries and selection committees at international festivals: the pattern-matching that comes from reading hundreds of submissions a year and having to say, in a room, why one film gets in and another doesn't.
03
A recurring circuit of industry panels, masterclasses, and residencies where the same questions get asked and the same answers get refined: what a scene needs to earn silence, how much a film owes its audience, when restraint is the more honest choice.
04
Features and essayistic documentaries shown at festivals on several continents, plus the critical writing and reviews written about that work over the years: a second, external source on the same aesthetic biases, cross-checked against the maker's own account of them.
05
Interviews and public conversations given across years and countries, transcribed and cross-referenced, not for the anecdotes, but for the recurring vocabulary: which words this reader reaches for when something works, and which ones show up right before a note.
AISHA is a model trained to read the way a specific, working reader reads, not a stand-in for that person, and not a stand-in for any human reader. It will miss things a person catches, and it will occasionally flag something a person would let go. What it offers instead is speed, availability at 3am, and a first pass shaped by a real, consistent taste rather than an average of the internet's opinions on screenwriting.
Use it for the fast, honest, pattern-grounded read. Use the community, and soon, the reader directly, for the rest.